Reframe is a triptych, with each separate piece made from seven layers of American red oak, hard maple and cherry respectively, which are held together by an invisible bronze rod. The form, according to Taylor, is ‘a distillation of a frame device’. As she points out, we are surrounded by frames, most notably the windows and doors of buildings but also the camera on our phones. ‘The lens through which you see something influences how you interpret it.’'