Daegyu’s design celebrates the grain of American red oak, with onlookers encouraged to peer through the elongated and abstracted timber windows. Drawing influence from the Korean sculptor Do Ho Suh, the windows are made up as a series of box sections and archways, with the former drawing on the barrel-making technique known as coopering. Since Daegyu’s piece is to become a bug hotel after the festival, the timber has been left in its raw state.