STOREY’S FIELD CENTRE & EDDINGTON NURSERY
Commercial & Leisure
The 100-place nursery is arranged around three sides of a landscaped courtyard. On the fourth side, is the civic scaled community centre including a 180-seat main hall. The principle rooms are lined in oak panelling. The main hall, influenced by the dining halls and chapels of Cambridge colleges, uses an exposed, articulated timber structure. The slender spruce glulam portal frames spring from the oak panelled base and pass in front of a backdrop of ash veneered panelling; the tones of the timber gradually lightening up the height of the space. A structural ceiling of layered ash joists, battens and veneered plywood conceals air extract routes for the hall’s passive ventilation strategy. The hall provides a venue for a range of activities and its acoustics can be adjusted to suit. At the west end, an ash spiral stair is a sculptural element wrapped by a curved veneered ash plywood balustrade. The nursery's turret roofed classrooms are clad in western red cedar as are the soffits to the covered nursery cloister.
Wood Species: American white ash, European oak, Canadian western red cedar
Client/Owner: University of Cambridge
Structural Engineer: Aecom
Main Contractor: Farrans Construction Ltd
Joinery: C W Fields
Glulam Structure: Just Swiss
Spiral Stair Fabricator: Spiral UK Ltd
Cedar Shingle Supplier: Marley Eternit
Wood Supplier: Brooks Bros, D F Richards
ROYAL ACADEMY OF MUSIC THEATRE & NEW RECITAL HALL
Education & Public Sector
Two exceptional performance spaces have been integrated within the Academy site. The 309-seat cherry-lined Susie Sainsbury Theatre now forms the heart of the Academy. Inspired by the curved shapes of string instruments, it has been acoustically refined to deliver excellent sound qualities. Each acoustic treatment has its own graded detailing to blend the sound in all directions. Above the Theatre, the 100-seat Angela Burgess Recital Hall provides 230m2 of additional space for student rehearsal, public performance and recording. The Theatre is designed intimate and epic whereas the Recital Hall is a tranquil, calming and visually cool. The Recital Hall is entirely lined in pale, lime-washed European oak. Woven into the design are structural elements reminiscent of string instruments. Through an aperture of finely tuned ‘strings’, an oak-lined oculus floods the space with daylight and provides a central focus.
Wood Species: American cherry, European oak
Architect: Ian Ritchie Architects Ltd
Client/Owner: Royal Academy of Music
Structural Engineer: WSP
Main Contractor: Geoffrey Osborne Ltd
Joinery: James Johnson & Co. Ltd
Specialist Theatre Electrics & Lighting: Push The Button
Acoustic Engineer: Arup
Wood Supplier: Hardwood Sales, Brooks Bros, Lathams
THE VORTEX, BLOOMBERG
The Vortex is a dramatic double-height space at the main entrance of Bloomberg's new European headquarters. Its three inclined, curving timber shells are a literal and metaphorical twist on classic wood-panelled London lobbies. It is deliberately mysterious, responding to Bloomberg’s objective to create a building that unfolds gradually. The openings between the individual timber shells define the building’s separate entry and exit paths. The structure consists of a double timber wall, constructed as a pre-assembled series of stressed-skin cassettes, where the main joists are orientated to generate the curvature of the surface, while keeping the timber elements straight. The timber skeleton is covered by a double layer of plywood and timber panelling chosen for its warmth and ability to provide excellent acoustic properties. 6,000 unique panels had to be put together, much like a large jigsaw that could only be assembled in a particular sequence. Four shades of veneer were randomised across the surface to avoid concentration of any one shade in a particular area.
Wood Species: American red oak
Architect: Foster + Partners
Client/Owner: Bloomberg LP
Structural Engineer: AKT II
Main Contractor: Sir Robert McAlpine
Joinery Company: TMJ
Wood Supplier: Topakustic
GYC#1 is a collectors’ cabinet inspired by David Gates’ interest in industrial and agricultural architecture and infrastructure. GYC#1 is the first piece in the series to be finished completely in black and is closely related to the landscape of the Thames estuary. The final aesthetic of the piece is achieved with various amounts of scorching and pigment. Using a variety of techniques, the wood’s surface is a mixture of smooth and rough textures, creating a range of subtly varying textures unified by the darkened surface. Despite seemingly chaotic, the piece is made using precise traditional techniques.
OVO FURNITURE RANGE
The range celebrates the age-old tradition of craftsmanship in everyday objects. Durability and careful detailing have been combined with strong materiality to create a range that is tactile and generous. Fitting for both commercial and domestic spaces, the collection includes two variants of dining table, accompanying benches, sideboard, shelving unit, high table, stool and occasional tables. The collection relies on the tactility of wood. The boldness and simplicity of the forms demand perfection in execution of the craft.
DIGI-WEAVE SHOE CABINET
Tom Morgan has created a colourful shoe cabinet influenced by his cordwainer’s background. Initially inspired by the work of Richard Deacon, Tom began by breaking down red oak veneer into smaller strips. The thin strips, dyed various colours and pressed into calico fabric, have been woven together to create a screen that wraps around a solid wood frame with five slatted shelves within.